The 3 in 1 Coloressense Concept
If you want to give your customers a successful permanent make-up treatment, you should be very familiar with the topic of "colour". What pigments are there and how do you create the desired tones? How well do certain colours harmonize in interaction with each other and, above all, how do they ultimately affect the skin?Due to the highest possible pigment density, Coloressense PMU pigments are ideal for every type of pigmentation and are applied either pure or diluted depending on the application.
Coloressense Pigments
For large scaled pigmentations and shadings
Because of the highest possible pigment density, Coloressense Pigments are destined for every kind of pigmentation, you can use them pure or thinned.
Being concentrated „pure“ they are used for large scaled pigme tations, as shadings and full drawings.
Usage category: Pigmentation color: pure
Coloressense + Easy Flow
For very delicate and precise drawings
EASY FLOW Color Activator
Coloressense concentrate mixed with Easy Flow leads to a hydrophilic color pigment, which suits perfect for exact hair drawings and precise contouring.
The coloressence concentrate becomes very fluent without loosing its opacity.
Usage category: As a pigmentation color: 7-10 drops of the pigment, 1-2 drops Easy Flow
Coloressense + Skin Top
For pigmentations that require a fast handpiece guidance and for pigment masks
SKIN TOP Calming Liquid
Mixed with Skin Top, the coloressense concentrate turns to an oily pigment – perfectly fitting for all pigmentations with a fast handpiece guidance (Powdery) or glossy pigmentations (Stardust Gloss ).
Through the large enrichment of witch hazel extract, Skin Top appears haemostatic and regulates the lymph drainage, which smoothens the whole treatment session.
Usage category:
As pigmentation color: 10 drops pigment for 2-4 drops Skin Top
As a pigment mask : Remaining pigment for 1-2 drops Skin Top
The advantages of Goldeneye Coloressense
Quality „Made in Germany“
Hygienic and safe consistency
Sustainability and responsibility
100%* without heavy metals
Goldeneye Coloressense PMU Pigments
For your information:Vegan: 100% free of animal products.Heavy metals: Common ingredient in pigments, many are harmful or toxic, as they can not be broken down in the body.Nickel: Pure metal, common ingredient in mineral pigments, the most common cause of contact allergy.PAH: Polycyclic aromatic hydrocarbons (in many pigments), slightly water-soluble, numerous PAHs have been proven to be carcinogenic.NDELA: Nitrosamines are a reactive product of nitrite and amines (as in proteins) Proven to have a strong carcinogenic effect.* 100% without = Substances may be present, but are currently below the detection limit.Development, manufacturing, training and sales of cosmetic products: ISO certified according to DIN EN ISO 9001
Colour retention and appearance of the colour
The colour result is influenced by the client’s skin type in the treated area. If the same pigment is introduced into different areas of the skin, it can appear more intense one time, and softer another. This is due to the general absorption capacity of the skin, which can vary in different areas.
The influence of temporary skin conditions on the colour result
The thicker the skin, the less visible the colour. Sometimes a light peeling helps to refresh the colour. The drier the skin scales on the skin, the milkier the result appears. Further factors affect the appearance of the pigmented colours. It is easy to imagine how paint turns out differently on coloured paper and certain types of paper. Micropigmentation colours work similarly. Melanin, carotene and the body's own circulation of the skin or lip all visually alter the pigmentation result - to be precise, the background changes. If the skin is reddened, the colour result changes – this also applies to tanned skin. Pigment spots can distort the micropigmentation result.
Mixing permanent make-up colours
Within a product series of Coloressense (PMU pigments) all colours may be mixed, but of course they do not have to be mixed. If your desired colour is a premade mix, it may be used on its own. For many, the restriction to just a few colours is too unimaginative in the long run, and at some point creative minds tend to make their own compositions. Often 15-20 colours are more than enough to achieve an incredibly wide range of intermediate shades. This saves a lot of money and storage costs. A mixed colour is always something individual, but also brings with it certain risks. It must be ensured that the same mixing ratio is used for all subsequent treatments. That's why it's important to write down which mixture you used exactly. The mix ratio should therefore be recorded and archived on the client-file card, preferably along with a colour smear.